Early in “The Welkin,” the British playwright Lucy Kirkwood’s period thriller, now at the Linda Gross Theatre, a dozen women…
To appreciate “Home,” Samm-Art Williams’s celebrated play from 1979, is, in part, to be drawn back in time, to the…
When I was in London recently, walking down near Cheapside, north of the Thames, I went into the small museum…
There’s something awful about a lost picture. Maybe it’s because of a disparity between your original hope and the result:…
Classic American drama is haunted by monstrous mothers. Vain, vampiric mamas prowl through plays from Tennessee Williams’s “The Glass Menagerie”…
When “Stereophonic,” David Adjmi’s magnum opus about a nineteen-seventies rock band recording an album, débuted last year, at Playwrights Horizons,…
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